ISSUE NO.10
I also cannot transcribe fire accurately
there’s a dust planet between
you and your body on fire,
in that smoke how do you walk?
WHO BY FIRE
December 18th 2025
Artwork by Emily Davies
.0
I also cannot transcribe fire accurately.
There’s a dust planet between
You and your body on fire,
In that smoke how do you walk?
.1
This essay
asks into
the warping motion of self–
immolation. These
splits crop up between
lines, enjambments,
variable feet shuffling to
accord rhythm
pace, intent, gait, methods
of walking that go
onward but sideways, back
towards, away from, and there,
its own direction.
Lodgepole
seeds which need fire
to crack and begin
their
flowering
not to say
cig ash boring a hole
in the
canopies
but dead not being dead,
trunks, branches, birds
martyrs
for light
to hit the stem and root
it is a rare and precarious
mad
tool
invoked inside the wordless
time, a womb opening out
into
fire
the lodgepole pine resin
melts; here, split
seeds in
spring
.2 (fire, prehistory, etymology)
Fire
Fire, too, strays directionless
almost up, a reaching, outwards,
undoing ribbons of wind, all
sediment of space
travels, our infernal ship, these
small sun flecks,
Incan gold, an intervention
into nothing, blazing
life and death as shadows
of the brazen light, eternal
points of arrogant heat kindle
on, in tiny letters, specks of
ash make known all found
forms and ages; every day we
walk through fire.
Prehistory
Before Vietnam,
the undying body on fire
was set aside for faith,
messianic rind spitting
spilling mortal borders, skin popping
by God’s grace; Old Believers
turned their tendons stark
against the Antichrist
patriarch of Moscow, thousands
lighting the hinterlands, caustics
melting the snow. Autocremation
as a spectacle, in China, began
the chapter on abandoning the body,
across the spectrum of the sangha
as a means to awaken. Soteriologies
and deliverances occurred within
the heady wrath of consumed incense
oils crying from within the
digestive tracts of want.
Etymology
Immolation
is a latin derivative meaning
a sacrifice of grain (“molare”),
or to grind, to sharpen; the
same root takes us into our jaw,
millstone molars, that take
the small mites of earth, disintegrate
into something stomachable,
not tearing but powdering into
dust, particulate; these
sacrificial elements of the word
come into effect as a spilling
of wheat (see; millstone, trituratory)
on granite, unflinching altar
or to sacrifice to feudal lord as
fealty. to give up that which is
essential in the name of
that which- through the act- you place
atop your wretched
self, immolated and begone.
Along the ridgelines of Gehenna you walk
alone, its high skies and dead
bureaucrats lying mangled by such
arsonists who starved its chapels
of children.
Eucalyptus
Deny myself
where do I go then?
Deny myself
seep, enter this way
Militance;
one plosive
is enough
for the head
.3 (Vietnam, body-world, and then)
Vietnam, Sri Lanka, USA
You have seen him- Thích
Quảng Đức; face stricken
in polite dignity, relinquishing;
monks with petrol canisters
summoning white journalists from hotels
with cameras, canonising
a transference from body into symbol
secularising immolation from
a conversation with the divine to an
instruction to all bodies; it was
a motion, a politicisation
of oblivion; this all changes,
turns war on its head. Gasoline and
film- it is a technological
and commodity driven shift, accessible
movable; fire passing over
the Pacific as a harbour move,
shattering California drydocks carting
Mccarthyism into the orient like a
liver bursting pus, a splattering, a
Sri Lankan nurse flies from a rooftop,
obliges life to halt, but not, not to die–
but to scream; you weep for Vietnam, but–
I die, I die too, and what for me? From
the heights of the ministry of health four hundred
Singhalese girls, starving in their own
land, yell from the mouth of Vidanage Vinitha, grinding
the language of femicide to a foul grunt. This
is no funeral pyre,
not about death, but
transmission of flesh into
message; iconography of crackling
bodies like a lamp, a lump; Norman Morrison
talks to Robert McNamara on
the grounds of the fat Pentagon, alight
below his office; Quakers,
Methodists,
Body-World
still this soulsalvo clings to
faith! An ionic bond which shatters
in the land of the light of a thousand
suns; it is the twentieth century, and
everything can burn, even the
smallest moment is fodder
for commerce and flak, the urge
crystallises in the torpor of
lumber and lithium, coal and coral
corralling this force
of swallowing imperial heat, all
is on the table, and the table
is raised high to avoid the heat beckoning
from the blanket hiding thick
molten heaving belches, gash
sweating metals from the ore.
and then
Families
curse the petroleum
age for making it cheap
to burn their daughters, for
biomass compressing under
mesopotamian weight, brokered
by British extractivism, tilling
the djinns coaxed out from beneath
the hot scent of the face
of earth; plastic nothings holding
eternities; jerry cans leaking
martyrdom and as many tears,
as many tears furrowing
the beginnings of loss, opalescent
upon the heady brows bridging
eyes watching flickering self deplete
and disseminate into the thin
air of everything, everybody else. So many
riots, ammunitions, and
innovations, blank messiahs
to paint our dreams across
with everything else being as it is. Musa Mamut–
to be deported from his Crimean kitchen
douses, rubs, spreads, sets
the thing off. Says someone
had to do this,” does it– this martyrdom-
Lighters and matchsticks
and soot. Wits end. What more. Take
holding and cut it in half. What is
your face doing on the television?
What is your name doing in the light
? The smoke fills in the gaps, the
newspapers cover the windows
of all the houses left behind. Nobody
goes outside. And yet
this is history, this is the christened
name of human life, decorated
with such cases as yours and then what?
Aeropetes
some fuck each other
primarily in spaces of
immeasurable pain
Cyrtanthus Ventricosus
germinate only when
they inhale smoke, to
be fucked raw by mad
table mountain butterflies
during austral summer
beetles chase fire to
lay eggs; fire is a rare
moment of giving way
pain activates
dormant bodies
like a wire
.4 (act, tabu, spectacle)
Act
Sometimes the “Chinnaswamy effect,” a farmer
“plan(s) to die in order to protect Tamil,” against
Hindi supremacist linguistic encroachment, burn to speak, weltschmerz
elevating the political into the spiritual, yet
the vast majority of self immolations are unheard of
and forgotten; most words in any given language
are not used; more still are not heard; sentences string out
to dry amidst paragraphs and paragraphs of empty
slogan and black rhetoric; symbols pass;
Ta bu
taboo can
slip you into the fabric of discourse or
the cave of moment, burning for language–
this is my tongue and upon it saliva evaporates
into a pumice-stone brain for the sake of
the way you talk to me like i am
nothing whilst i feel all of this inside me, all this
keeping the voice hot, glistening, sweat
coalescing into verb, diminishing noun into tar
all of this inside of me, no reasonable
expulsion, forests fall to no great applause
acres melt into each other, the surface ripples
Spectacle
USA t shirt on the white house lawn, two thousand
and nineteen, Gupta- i ignore
them all- another hall
of emptied eyes, cracks
in a grey sky morning, red
extinguishers clothing spectacle
dressed for bedraggled publics
lensed, compacted, 480p, picked
apart by jackdaws and strewn along
fiber optic tubes pulped pumped
castrated in a thousand clinical op-eds
decrying, bemoaning, repleting
liberal psyche with more menial
lard to butter the body with
and serve to the populace as desire
repulsive in its emptiness; enough body
doing without lung and spine, no exalting
for fear of drawing the backlash of
an inward breath, no out for the fear of in, no
in for the yearning for out, neither
if the skin is aflame! cut, defamed, borne
from itself; gutless gut reaction
nineteen ninety three world health organisation
instructs media against suicide contagion:
Hide the cadaver! Cover the ground!
laws of imitation, promulgation
of blasphemies against the burning
body, I want none of this–
either we look or something looks for us
I can’t say everything
something about sacrifice / something
about self harm / something about
helplessness / something about want /
something about legacy and
ego / something about getting in the car /
and driving / and getting there / reaching
out / and
starting the livestream / and watching
the camera / and the street shifts / and
a fire extinguisher, a quieter world, a
dud / something livid / in the core left / behind
.5 (…and who shall I say is calling?)
a full moon
prolapses
into a star
a comet
gestures
to its kin
white spore
look up
the sun
is speaking
and what
there is the text
why are you here
it is written
in soot on a sidewalk
Joseph Conway is the Political Editor at The Lemming, based in Manchester. He is a journalist, actor, and Producer at Manchester Theatre for Palestine whilst hosting the monthly event Other People's Poetry at SeeSaw.